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Catégorie : India

Bolly
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  • Créé le : 02/07/2006 12:56
    Modifié : 25/09/2006 13:08

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    06/07/2006 15:38



    The Flag of India

    There are certain moments in the cultural and political life of a nation when the national flag comes into notibility. Every Indian is aware that the Prime Minister unfurls the national tricolor from the ramparts of the Red Fort every Independance Day on August 15, and indeed, the observance of January 26th as Republic Day goes back to December 31, 1929, when Jawaharlal Nehru hoisted the flag of the Indian National Congress, gave a call for Purna Swaraj, and asked people to observe January 26th as Independance Day.

    Along with the national anthem, the national flag is a large expression of India. It is supremely and specialy iconic of the nation-state. It is understood that the honor and integrity of the nation captured byt the flag, and as the history of every country shows, the national flag is uniquely capable of enlisting the aid of citizens, giving rise to sentiments of nationalism, and evoking the supreme sacrifice of death. In every respect, the national flag commands allegiance.

    Most Indians, in the past, were forbidden under the pain of punishment to fly the national flag from the premises of their residential or office building. The present flag is the flag Mahatma Gandhi lent his hand in design. Congress adopted it in 1921. Two years after the massacre at Jallianwala Bagh, Gandhi observed that the red in the flag represented Hindus, the green stood for Muslims, and the white represented other faiths. The spinning wheel in the middle of the flag pointed to the oppressed condition of every Indian, just as it evoked the possibility of rejuvenating every Indian household. Gandhi didn't think the matter of the national flag was trifling. A famous quote from Gandhi was, "A flag is a necessity for all nations. Millions have died for it. It is no doubt a kind of idolatry which it would be a sin to destroy."

    Gandhi's flag, as it was known to English officials, was with some modifications formally adopted by the Congress in 1931 as the National Flag, and this flag in turn became the basis, with the substitution of the wheel on the capital of Asoka's Sarnath Pillar for the charkha, for the National Flag chosen by the Constituent Assembly in July 1947. Between 1921 and 1947, a war of attrition developed between Indian nationalists and government officials over the right to fly the Gandhi or Congress flag. Indian nationalists found that hoisting the flag invariably attrackted the wrath, and often the vengeance, of British officials, and usually the flag was ordered to be brought down.

    All too often the national flag in most countries has not been the pivot around which sentiments not merely of nationalism but of jingoism, hatred, and racial exclusivism have been fostered. One can only hope that the Indians will prevail upon themselves to display a more judicious and restrained attitude towards the flag. There may also well be a time, in the very near future, when the Indian parliament and judiciary will have to deliberate in an altogether different manner on the status of the flag. Is the burning of the National Flag protected under the Constitution as an expression of free speech, or must such an act invariably be constituted as an offense punishable under law? In the cultural and political semiotics of nationhood, the National Flag is bound to occupy an increasingly important place.

    What is the national anthem of India?

    " Jana Gana Mana Adhinayaka Jaya He
    Bharat Bhagya Vidhata
    Punjab Sindh Gujarat Maratha
    Dravida Utkala Banga
    Vindhya Himachal Yamuna Ganga
    Ucchala Jaladhi Tiranga
    Tubh Shubha Name Jage
    Tubh Shubha Ashisha Mange
    Gahe Tubh Jaya Gata
    Jan Gan Mangaldayak Jay He
    Bharat Bhagya Vidhata
    Jaye He ! Jaye He ! Jaye He !
    Jaye,Jaye,Jaye,Jaye He "

    The India's national anthem was first sung on December 27, 1911 at the Indian National Congress. The Constituent Assembly adopted the song of National Anthem of India on January 24, 1950. The anthem consists of five stanzas.

     

    English translation

     

    " Thou art the rulers of the minds of all people
    Dispenser of India's destiny
    Thy name souses the hearts of
    Punjab, Sind, Gujarat, and Maratha
    Of the Dravida and Orissa and Bengal
    It echos in the hills of
    The Vindhyas and Himalayas,
    Mingles in the music of the Yamuna and Ganga
    And is chanted by the waves of the Indian Sea.
    They pray for thy blessings and sing thy praise.
    The saving of all people waits in thy hand,
    Thou dispenser of India's destiny.
    Victory, victory, victory, to thee."


     

     

    What is India's religion?

    India's major religion is Hinduism, which is approximately 80% of the population. Hinduism is one of the largest religion in Asia with one of the oldest faiths. Hinduism has several holy books, and they believe in reincarnations and spiritual salvation. During the process of reincarnation there is a factor of moving closer to eventual enlightenment. Hindu's don't believe in convention, you are either born a Hindu, or you're not.

     


     

     

     

    Hindus view cosmic activity of the Supreme Being as comprised of three tasks: creation, preservation, and dissolution and recreation. Hindus associate these three cosmic tasks with the three deities, Brahma, Vishnu and Shiva. Lord Brahma brings forth the creation and represents the creative principle of the Supreme Being. Lord Vishnu maintains the universe and represents the eternal principle of preservation. Lord Shiva represents the principle of dissolution and recreation. These three deities together form the Hindu Trinity.

    Hindu religion is often labeled as a religion of 330 million gods. According to the Hindu scriptures, living beings are not apart from God, since He lives in each and every one of them in the form of atman (BG 10.39). The number 330 million was simply used to give a symbolic expression to the fundamental Hindu doctrine that God lives in the hearts of all living beings.

    Hinduism is supposed to be 'apauruseya', i.e., of impersonal origin & so also are the Gods of Hinduism. They are eternal & though the deities appear to be different & independent, they are really facets of the same Brahman, the Supreme God.

    As Sri Ramakrishna says, there can be as many spiritual paths as there are spiritual aspirants & similarly there can really be as many Gods as there are devotees to suit the moods, feelings, emotions & social background of the devotees.

    The Hindu scriptures were eloquent while describing the qualities of God. He is all-knowing & all powerful. He is the very personification of justice, love & beauty. He is ever ready to shower His grace, mercy & blessings on His creation.

    BRAHMA

            

     

    Within the hindu trinity of Brahma, Vishnu and Shiva, Brahma is the creator, Vishnu the preserver and Shiva the destroyer. Nevertheless, Brahma grew in a lotus out of the navel of the sleeping Vishnu. The daily alternation of light and dark is attributed to the activity of Brahma.

    Brahma's mind born sons are the seers Marici, Atri, Angiras, Pulastya, Pulaha, Kratuj, Pracetas, Vashishta, Bhrgu and Narada. From Brahma's body came his nine sons Daksa, Dharma, Kama, Anger, Greed, Delusion (Maya), Lust, Joy, Death and Bharata and one daughter called Angaja.

    In order to create the world and produce the human race, Brahma made a goddess out of himself. One half was woman and the other half was man. Brahma called the woman Gayatri, but she also became known by many other names such as Saraswati.

    Brahma has four heads, but used to have five. The four extra heads appeared when Gayatri was very ashamed with Brahma's love for her and tried to escape from his gaze. The tremendous tapas that Brahma had practiced for the purpose of creation was entirely annihilated through his desire to unite with his daughter. One head was lost later when Brahma lied to Vishnu and thus caused Shiva to become very angry.

    The four Veda's are said to have sprung from his heads. In the Life of Ganga, Brahma advised Bhagiratha to ask the help of Shiva in containing the power of Ganga (goddess of the Ganges river).

    HANUMANA

        

    Hanuman is the monkey deity renowned for his courage, power and faithful, selfless service. The Life of Hanuman is related below in the form of short numbered and illustrated accounts of some of the most important parts of his life.

    Some say Hanuman was born as the son of the King and Queen of the Monkeys. To others, he is the son of Anjana, an female Apsara who had been transformed into a monkey by a curse, and Vayu, the wind god. It is also said that from his father Vayu Hanuman received the ability to fly.

    As soon as Hanuman was born he felt hungry and his mother could not satisfy him. Then he caught sight of the Sun and thinking it was a fruit he leapt after it. The Sun took flight but Hanuman chased him as far as Indra's heaven. Here however, Indra intervened and injured Hanuman's jaw with his thunderbolt.

    But his father was quick to avenge him and entered the bodies of all gods and gave them colic. Indra apologized to Vayu and agreed that Hanuman should become immortal. All the gods came together to bless young Hanuman in a cave.

    As a young monkey god, Hanuman was quite naughty and abused his powers to pester the saints living in the nearby forest. On this painting Hanuman can be seen creating a whirlwind with his breath, drinking offered water, pulling a supporting stick with his tail, pulling a beard and dousing a sacred fire.

    Finally all the gods prayed to Brahma to find a solution. Thus a curse was created to protect the world from the mischief that young Hanuman created, by removing his knowledge of his powers.

    The Power of Hanuman - of which becoming big is just one example - only became available again when Jambavant, King of the bears, remembered Hanuman that he has that power.

    And that power was really great. Hanuman could easily fight an elephant for example, since he could become much bigger than the elephant at will.

    At the time of the Ramayana, Hanuman was send as an advance spy to Lanka. To reach the island he had to fly over the sea but there was blocked by Sursa, who wanted to test him. She had a boon that everybody who comes before her must pass through her mouth. However, when she wanted to swallow Hanuman, he became bigger and bigger so she also had to become bigger and bigger. Then Hanuman suddenly became very small and went in through her ear, coming out of her mouth, thus fulfilling the boon.

    In the Ashokvatika or forest of Ashoka trees on Lanka, Hanuman spies on Ravana, who is trying in vain to press Sita into becoming his wife. Later he contacted Sita in the gardens of Ravana's palace, told her of the plans being made for her deliverance and gave her Rama's signet ring as a token.

    Pleased with his succes, Hanuman fought the demon Meghnaath, son of Ravana, in the gardens of the palace of Lanka. He won over Meghnaath, but was finally captured by Ravana's demons.

    Brought before the demon king, Ravana ordered that while as a messenger of Rama he could not be killed, his tail could be set afire with cloth and oil. But Hanuman used his powers to enlarge his tail indefinitely, untill the demons had no cloth left to cover it. While they still tried to put fire to his tail, Hanuman became suddenly very small and escaped from his ropes.

    Trailing his burning tail behind him, Hanuman then set fire to all of Lanka and flew back to the mainland. He rejoined Rama and gave him valuable information on Ravana's forces. The army crossed a bridge to Lanka that was made by another monkey leader and master architect called Nala.

    During the mighty battle that followed, Hanuman defeated the Demon Lankini, who was the principal guard of the city of Lanka.

    Hanuman's greatest feat during the battle of Lanka however was to bring back the herb that cured Lakshman from a fatal wound. He flew al the way to the Himalayas to find it, harassed by many demons, such as Kalanemi. Because Indra was confusing him, Hanuman could not find the herb and finally brought the entire mountain to Lanka.

    Ravana was defeated by Ram and Ram and Sita were crowned King and Queen of Ayodhya. Obviously Hanuman was present, remained Ram's favorite general and continued his life in service to him. When Rama offered him any boon that he cared to name, he asked to live for as long as men spoke of the deeds of Rama.

    LORD KRISHNA

     

    Lord Krishna appeared over five thousand years ago in Mathura, India to Devaki and Vasudeva in the jail cell of the tyrant Kamsa. The place of His birth is known as Sri Krishna Janmasthana. He appeared with His brother Balarama in response to the demigods' prayers for protection from the widespread influence of demonic administration on earth.

    Previously, the demigods and demons had been at war in the heavens. When the demons were defeated by the demigods, they decided to instead attack this planet earth. Thus, they invaded the earth by discretely taking birth as princes in powerful royal families of the time.

    And as the earth became overrun by militaristic activities of these kingly demons, the demigods including the Earth goddess earnestly sought Lord Visnu's protection. Seeing the deteriorating social and political conditions and hearing the prayers of the demigods, the all-compassionate Supreme Lord Sri Krishna decided to descend for the benefit of all.

    The Supreme Lord descends from time to time in this material world to reestablish the teachings of the Vedas. In His Bhagavad-gita, Lord Krishna promises: "Whenever and wherever there is a decline in religious practice, O descendant of Bharata, and a predominant rise of irreligion--at that time I descend Myself. To deliver the pious and to annihilate the miscreants, as well as to reestablish the principles of religion, I Myself appear milleniumm after millenium."

    Although eternal the Lord appears in specific circumstances out of mercy for His devotees. In fact, His principal biography, the Srimad Bhagavatam states, "the learned men describe the births and activities of the Unborn and Inactive." Therefore, although He appears within the material dimensions of time and space, He is most definitely not of it.

    Historically, Lord Krishna appeared on the midnight of the 8th day of the dark half of the month of Sravana. This corresponds to July 19th 3228 BC. He exhibited His pastimes for a little over 125 years and dissappeared on February 18th 3102 BC on the new moon night of Phalguna. (His departure marks the beginning of the current age of corruption known as Kali.)

    The great scholar Srila Vishvanatha Chakravarti neatly outlines Lord Krishna's activities in this way: the first three years and four months were spent in Gokula, then equal lengths of time in Vmdavana and Nandagram, eighteen years and four months in Mathura, and finally ninety-six years and eight months in Dvaraka totalling 125 years of manifest pastimes. See the Krishna-lila chart.

    Lord Krishna's early pastimes are briefly summarized at the website Krishna's Adventures in Vraja"During this childhood time , He grew up as the son of His foster parents Nanda and Yasoda in the midst of the idyllic beauty of Gokula, Vrindavana, and Nandagram. Not only did He destroy numerous demons, but also performed His famous rasa dance.

    Krishna enjoyed the dance of love (rasa-lila) with the gopis many of whom are expansions of His own internal energies. The supreme gopi known as Srimati Radharani is the object of Krishna's highest devotion. This beautiful dance would occur in the autumn season at night under a full moon when Lord Krsna would captivate the young gopis with the extraordinary music of His flute . These esoteric pastimes constitute the most confidential expression of divinity ever revealed.

    Usually the conception of sprirtual perfection consists of overwhelming feelings only of awe and reverence at God's majesty. However, in these pastimes each devotee loves God either as a master, a best freind, a mischievous son, or even as an intimate lover, thus revealing the infinite possibilities of divine love. These early pastimes of Lord Krsna in Vrindavana illustrate the extraordinary intimacy that one can have with God. These pastimes are described in detail by Sri Visvantha Chakravarti in his Sri Krishna Bhavanamrta Mahakavya

    When Krsna and Balarama were older, They were invited to Mathura, where Karnsa, Their demonic uncle, was planning Their death in a wrestling match against two large and powerful wrestlers. When Kamsa saw his wrestlers defeated, he ordered his friends to drive the brothers out of Mathura, plunder the riches of Their cowherd friends, and kill Their fathers, Nanda and Vasudeva. However, Krishna immediately killed Kamsa and Balarama killed his eight brothers. Lord Krishna then established the pious King Ugrasena as the emperor of several kingdoms.

    In Mathura, both Krishna and Balarama were initiated by Gargamuni in the Gayatri mantra> Later They went to live under the care of Sandipani Muni who instructed Them in all the Vedic arts and sciences in sixty-four days and nights especially in military science, politics and spirituality. As an offering (guru-daksina) to Their teacher, They recovered his son from death. Although God does not need instruction from anyone else, Lord Krsna and His brother set the perfect example : one must accept instruction from and serve a bona-fide spiritual master to advance in spiritual life.

    For the next eighteen years, They continued to live in Mathura halting the impending threat of many demonic kings. Later in Their pastimes Lord Balarama married a princess named Revati. Lord Krsna married many queens, the foremost among them being the extraordinarily beautiftil Queen Rukmini. (See Sri Rukmini website for the story of Their marriage). Both Krishna and Balarama established Their palaces in Dvaraka off the coast of western India, where They enjoyed married life for many years. Although They were married, Lord Krsna and Lord Balarama exhibited the quality of detachment from material life perfectly.

    When They were about ninety years old, the great world war of Kuruksetra took place. This climactic battle brought together all the major world leaders. Lord Krsna took the role of a charioteer on the side of the pious Pandavas, while Lord Balarama refusing to participate went on a pilgrimage tour thereby blessing the entire land of India.

    At the start of the war, Lord Krishna displayed His stupendous Universal Form delivered His famous message known as the Bhagavad-gita, literally the Song of God. This Song contains the essence of all knowledge having been spoken by the Supreme Lord Sri Krishna Himself. This war concluded with the destruction of the demonic kings and the reinstatement of the righteous Pandava princes.

    Having completed Their mission, Balarama and Krsna resumed Their life in Dvaraka where They spent some thirty-five more years before ending Their earthly manifest activities The foremost description of Lord Krishna's activities occurs in the Srimad Bhagavatam, literally "the Beautiful Book of God."

     


     

     







    TAJ MAHAL

    05/07/2006 13:47

    TAJ MAHAL


     
     
     
     
     
     
     
     
     
     
     
     
     
     

    History of Taj Mahal

    The origin of the name "Taj Mahal" is not clear. Court histories from Shah Jehan's reign only call it the rauza (tomb) of Mumtaz Mahal. It is generally believed that "Taj Mahal" (usually translated as either "Crown Palace" or "Crown of the Palace") is an abbreviated version of her name, Mumtaz Mahal.

    History Of Taj MahalThe construction of this marble masterpiece is credited to the Mughal emperor Shah Jahan who erected this mausoleum in the memory of his beloved wife, Arjumand Bano Begum, popularly known as Mumtaz Mahal, who died in AH 1040 (AD 1630). Her last wish to her husband was "to build a tomb in her memory such as the world had never seen before". Thus emperor Shah Jahan set about building this fairytale like marvel.

    The construction of Taj Mahal was started in AD 1631 and completed at the end of 1648 AD. For seventeen years, twenty thousand workmen are said to be employed on it daily, for their accommodation a small town, named after the deceased empress-'Mumtazabad, now known as Taj Ganj, was built adjacent to it. Amanat Khan Shirazi was the calligrapher of Taj Mahal, his name occurs at the end of an inscription on one of the gates of the Taj. Poet Ghyasuddin had designed the verses on the tombstone, while Ismail Khan Afridi of Turkey was the dome maker. Muhammad Hanif was the superintendent of Masons. The designer of Taj Mahal was Ustad Ahmad Lahauri. The material was brought in from all over India and central Asia and it took a fleet of 1000 elephants to transport it to the site. The central dome is 187 feet high at the centre. Red sandstone was brought from Fatehpur Sikri, Jasper from Punjab, Jade and Crystal from China, Turquoise from Tibet, Lapis Lazuli and Sapphire from Sri Lanka, Coal and Cornelian from Arabia and diamonds from Panna. In all 28 kind of rare, semi precious and precious stones were used for inlay work in the Taj Mahal. The chief building material, the white marble was brought from the quarries of Makrana, in distt. Nagaur, Rajasthan.

     


     

    HOW TO REACH TAJ MAHAL

    BY AIR
    Indian Airlines (Domestic Airline in India) runs daily flights from Delhi to Agra. Kheria Airport (Airport of Agra) is about 6 km from the Agra city centre and is easily accessible by taxis and auto-rickshaws at nominal rates.

    Indian Airlines has two offices in Agra:

    • Hotel Clarks Shiraz, Taj Road, Agra.
    • Kheria Airport.

    BY RAIL / TRAIN
    Taj MahalAgra is well connected by excellent train services to Delhi such as The Shatabdi Express (2 hrs), Taj Express (2.5 hrs), Intercity Express (3 hrs).

    Railway Stations:

    Agra Cantt Rly Stn, Enquiry: 131, 133. Reservation: 364611
    Raja-ki-Mundi Rly Stn, Contact: 354477
    Agra Fort Rly Stn, enbquiry: 132, 135 Reservation: 364131

    BY ROAD -
    Express bus services (a/c and non-a/c) are available from Delhi, Jaipur, Lucknow, Gwalior, and Jhansi. For those driving to Agra, the distances are:

    • Mathura (Pilgrimage Destination) - 58 kms.
    • Bharatpur (Bird Sanctury) - 60 kms.
    • Gwalior (Historical Destination) - 118 kms
    • Delhi (Capital City of India) - 203 kms
    • Jaipur (Cultural & Historical Destination) - 236 kms.
    • Khajuraho (Historical Destination) - 393 kms.

    Taj Mahal - Building Aesthetics

    Besides the miraculous architectural features and the elaborate ornamentation of the Taj Mahal, many additional features, which can often be overlooked, help complement and enhance this spectacular monument.

    Background
    Taj Mahal Floral PatternsUnlike other Mughal tombs, the garden of the Taj Mahal has been laid out entirely in front of the tomb and does not play any part in the 'background'. Instead, the background has been provided by the sky. This background is not constant; it changes its colour and texture more than often, and the Taj is always presented in a variety of tints and moods. Its shades are subtly reflected on the white marble surface of the Taj Mahal which changes its colour and complexion accordingly.

    Marble
    The Makrana marble used is of such a nature that it takes on incredibly subtle variations of tint and tone, according to the changes in the light, thus picturing the passing colour of the moment.

    Forms and Lines
    The composition of the forms and lines of the Taj Mahal is perfectly symmetrical. Here we meet with a beautiful admixture of lines, horizontal with vertical, and straight with curved - all harmoniously set together in the total unity. They adopt each other with amazing uniformity. The combination is entirely rhythmic and melodic. Especially the semi-octagonal alcoves at the chamfered angles which are perceptible from every perspective view and give a 3-dimensional appearance from the outset. They emphasise the diagonal lines and suggest depth.

    Solids and Voids
    The great depth has also been further suggested by the double arches, one over the other, on each side of the central portal. The solids and voids have very judiciously been distributed to provide a variety, yet an undiminished uniformity. These alcoves, the balconies in each minaret, the chhatris near the dome, and certain pronounced projections in each facade allow a beautiful play of light and shadow.

    Soaring Effect
    The colossal height of the tomb, along with its pyramidal appearance (which is obtained by the receding plinths, the square tomb and the bulbous dome, along with the pilasters surmounted by pinnacles, the tapering minarets and the decreasing volume of the dome culminating in a kalasa) give it a soaring effect. It appears as if it is about to rise into the sky...an ethereal quality full of lightness and grace.

    Correction of Illusionary Effects
    Taj Mahal CalligraphyThe indigenous builders of the Taj Mahal fully understood the deceptive nature of the human eye. They knew that the reality and its perception and interpretation thereof differed. The plinth of the main tomb is 2'10'' high on an average. But the height varies at different places, particularly the central point between two piers being in each case 0.5" to 0.7" higher than the sides. This convexity has deliberately been given to the plinth in the centre of each arch, or else the building would have appeared as if it were falling down! The facades are not exactly at a right angle with the plinth, but are slightly inclined. The finial is a stupendous crowning feature which measures nearly 10 meters!! The architect fully anticipated the apparent size which a finial would present from such a great height. It has therefore been very ingeniously been planned. These features of construction demonstrate the ability of the Indian architects to reconcile the illusionary effects created by distance and light.

    Fluted Pilasters
    Sections in each facade have been demarcated by semi-octagonal pilasters that rise from the plinth of the main tomb. They have chevron patterns inlaid with black and yellow marble horizontally along their whole height. They appear to be fluted on each side though, as a matter of fact, there is no real fluting at all. They create a beautiful illusionary effect which the architect has very skilfully manipulated.

    Uniform Size of Calligraphic Characters
    The letter of the inscription around archways at the Taj Mahal, are generally supposed to become larger and larger above. On closer scrutiny, however, they are found to be of uniform size. Instead, the letters have been inscribed densely at the bottom, with little plain surface in between; the inscription becomes more and more sparse as it rises with more plain surface in between the letters. The diminution of the plain surfaces has been accurately calculated. Thus, the optical perspective of the letters has been reconciled, and unmistakable uniformity is obtained.

     


     

    Excursions From Agra - The City of Taj Mahal

    Bharatpur Bird Sanctuary
    Bharatpur Bird Sanctuary
    So great is the pull of the Keoladeo Ghana Bird Sanctuary, Bharatpur, that people spare not a thought for the state that gave birth to it. This superb waterfowl habitat, one of the finest in the world, was actually created by a maharaja. more...

    Delhi - The Capital of India
    "The world is the body and Delhi its soul," wrote the poet Mirza Ghalib about the city he loved and lived in. And, as the soul is hard to describe, so is Delhi, this city with hundreds of years of history. more...

    Gwalior
    Situated in the state of Madhya Pradesh, Gwalior is the city of true royals, the Scindias. City is well known for its majestic fort, considered as one of the best in the world. Gwalior is located at a distance of only 118 km from Agra and well connected by road and rail. more...

    Jaipur - The Pink City
    Jaipur the capital city of the northern Indian state of Rajasthan is one of the most vibrant and colourful cities of India. Famous for its colourful culture, forts, palaces, and lakes the city basks in the glory of a rich and eventful past. more...

    Mathura
    Not far away from Agra, on the Delhi-Agra main line is located Mathura. The city is considered as the birthplace of Lord Krishna and the main point of Krishna circuit in the state of Uttar Pradesh. The city is an excellent day trip from Agra, which should not be missed by anyone interested in the religious heritage of India. more...

    Vrindavan
    South of Delhi, near the place of Krishna's birth, is the town of 4,000 temples where the sounds of celebration constantly resound. In the month of August, India celebrates the birth of Krishna, much as it has been doing every year for the past 5,000 years. more...

     

     

     






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